報導/評論 Media coverage/Review

收集百人畫作喚起同理心 藝術家文晶瑩動畫《後 #MeToo》獲國際短片獎

報導 | by  虛詞編輯部 | 2022-05-13

_________________________________________________________________________”By using a seemingly childish form, Free Coloring If I Were provides a whole new dimension for participants’ expression not seem in If I were. The blank sheets provided in If I were did provide greater freedom, but as Nina Simon explained in The Participatory Museum, free expression is difficult for most people and scares them off because they don’t know where to start. Instead, limitations and boundaries make the participation manageable.”

Samson Wong, “Who said colour-it-yourself has no artistic potential?“, Medium, 4 Mar., 2018
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“從事社會交往式藝術項目的 Phoebe 更認為,開放日不但可與觀眾直接溝通,而且在自己的工作室做展覽,所須物品都一應俱全,能夠隨心試或做新作品展示。加上,開放日人流普遍較其他場地的展覽為多,尤其適合其講求互動的創作媒介,「參觀者的回應很有啟發性,大家知識互有對流,我很喜歡這個過程,很喜歡來火炭的觀眾。」”

立場報導:〈火炭工作室再開放 參與單位年年減 藝術家:回歸基本更有凝聚力〉,立場新聞,Standnews,2019年1月9日,https://www.thestandnews.com/art/%E7%81%AB%E7%82%AD%E5%B7%A5%E4%BD%9C%E5%AE%A4%E5%86%8D%E9%96%8B%E6%94%BE-%E5%8F%83%E8%88%87%E5%96%AE%E4%BD%8D%E5%B9%B4%E5%B9%B4%E6%B8%9B-%E8%97%9D%E8%A1%93%E5%AE%B6-%E5%9B%9E%E6%AD%B8%E5%9F%BA%E6%9C%AC%E6%9B%B4%E6%9C%89%E5%87%9D%E8%81%9A%E5%8A%9B/,2019年5月17日讀取。